Overview
35 Format Features in a Super 16 Camera
All three ARRIFLEX 416 are lightweight, modern Super 16 film cameras, each with a 35-style viewfinder and a mirror shutter that can be manually adjusted from 45 to 180 degrees. The 416 and 416 Plus have an amazingly low sound level similar to that of the ARRICAM. Their speed range is from 1 to 75 fps, while the 416 Plus HS runs from 1 to 150 fps. A completely new lightweight ergonomic design, integrated electronic accessories in the Plus cameras and compatibility with the same lenses and accessories used by their 35 mm siblings make the 416 cameras the most powerful, flexible and portable Super 16 cameras ever built.
Main Features
35-style Optical Viewfinder
- bright, high contrast, high resolution
- large exit pupil allows more eye movement
- multi-color RGB ARRIGLOW
- accommodates even wide diameter PL mount lenses
- excellent optical quality with eyepiece extension
High Quality Video Assist
- excellent image quality
- adjustable image enhancement
The Quietest 16 mm Camera
- 416 & 416 Plus: sound less than 20 db(A)
Compact & Lightweight
- small camera body
- low profile design
- 25% lighter than 16SR 3
Ergonomic Design
- ergonomic shoulder cut out
- viewfinder removes quickly for Steadicam and remote applications
- optional integrated radio & lens motor drivers
- split bridgeplate for fast switch from tripod to shoulder
Three Models
- ARRIFLEX 416: basic model
- ARRIFLEX 416 Plus: built-in accessory electronics and radio for wireless remote control
- ARRIFLEX 416 Plus HS: high speed for slow-motion effects with built-in accessory electronics and radio
Technical Details
| Fps | 1-75 |
| - | Speed can be varied while camera runs Ramps possible with Remote Control Unit RCU-1, Wireless Remote Control WRC-1, WRC-2 and Iris Control Unit ICU-1 |
| Shutter | Manually adjustable to: 45, 90, 135, 144, 150, 172.8, 180 degrees |
| Film Format | Super 16 mm, conforming to DIN 15602 and ISO-5768-1998 |
| Film Gate | Super 16 only (12.35 x 7.5 mm, 0.486 x 0.295 inches) |
| Lens Mount | 54 mm stainless steel PL mount |
| Sound | < 20 db(A) @ 24 fps |
| Flange Focal Distance | 52.00 mm -0.01 |
| Movement | Silent precision movement, single pull down claw, single registration pin. Pull down pitch adjustable |
| Viewfinder Eyepiece | Same 8x eyepiece as 235 |
| Eyepiece Extension | Same short and medium extensions as 235 |
| Ground Glass | 16SR 3 fiber optic screens |
| ARRIGLOW | RGB ARRIGLOW with custom combination of red, green and blue, separate brightness control on camera left side |
| Weight [1] | 5.5 kg/12.1 lbs (ARRIFLEX 416) 5.8 kg/12.8 lbs (ARRIFLEX 416 Plus) |
| Power Input | 24 Vdc nominal, accepts 21 to 35 Vdc |
| Battery | Intelligent 29.6 V Lithium-ion On Board Battery OBB-2, lasts 5 magazines and about 2 hours in standby 80 Watt/hours at 950 g / 2 Lbs with built-in power gauge (comparison: 16SR 3 battery had 29 Watt/hours at 870 g / 1.9 Lbs) |
| Accessory Power Outputs | 1x 24 V RS connector on 416, or 2x 24 V RS connector on 416 Plus & 416 Plus HS 1x 24 V REMOTE connector 1x 24 V Heated Eyecup connector 2x 12 V MINI MONITOR connectors on IVS |
| Temperature Range | -20°C to +50°C (+4°F to +122°F) |
| Magazine | 416 Shoulder Magazine 120/400 (SHM-3), Timecode module optional |
| Timecode | Continuous barcode on film edge, 80 bit according to SMPTE RP 114 (same as on 16SR 3) Timecode & Userbits window burn in and VITC on video assist possible |
[1] Camera body, viewfinder, eyepiece, IVS, magazine and film
All data subject to change without notice
Accessories
Ultra 16 Lenses
Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance... Ultra 16 Lenses
Downloads
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Technical Information
News & More
News
2007 04 - New 16 mm Fiber Screens
2006 12 - ARRIFLEX 416 and ARRIMAX 18/12 Win cinec Awards
2006 09 - First 416 Productions - including 6 interviews
2006 06 - Interview: First Use of the 416
2006 04 - ARRIFLEX 416 Debuts in Los Angeles at Pre-NAB Event
2006 04 - A So-Called Life: Shooting Duane Hopwood
Additional Information
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