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ARRI film and digital cameras dominated as the capture tools of the Oscar winners at the 86th Annual Academy Awards.
26 FEB 14
ARRI hosted an event during the 2014 Berlinale with Phedon Papamichael, ASC, who recently shot the films NEBRASKA and THE MONUMENTS MEN in ARRIRAW with ALEXA.
25 FEB 14
Jon Fauer, ASC, of Film and Digital Times, interviews ARRI's Marc Shipman-Mueller and Henning Rädlein about the benefits of ALEXA Software Update Packet 9.0.
17 FEB 14
Phedon Papamichael, ASC, discusses combining ALEXA and ARRICAM cameras, as well as anamorphic lenses and Master Primes, on George Clooney's WWII drama.
In February 2014 ARRI proudly shipped the 1000th ARRIMAX 18 kW HMI lamphead to be manufactured at its lighting production facility in Stephanskirchen, Germany.
07 FEB 14
DP Frankie DeMarco shoots ARRIRAW with ALEXA and uses M18 ARRI M-Series lampheads on J.C. Chandor's ALL IS LOST, starring Robert Redford.
12 SEP 13
Cineteca Nacional uses ARRISCAN archive technology to restore the only known color footage of the Mexican Revolution.
The ARRIRAW was wonderful, especially as we have an IMAX version of the film.
Stereographer Demetri Portelli